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Network

Let us tell you how our tv channel works

Network

How our TV channel works
A week of creativity, knowledge, networking, curiosity and fun.
The Importance of Collaborations
A traineeship call for young professionals
STORIES

In depth articles and films that delve into social topics by amplifying independent new voices

STORIES
180, the wrong tv
Recording music outside the studio
How to tell stories?
A journey through the decade
How does a festival reinvent itself?
How is the music sector reacting this Summer?
Worldviews through the lens of film directors
Background

LET US TELL YOU WHAT WE HAVE FOR JUNE

IN JUNE

Arctic-ice-melting

THE WRONG TV


180, The Wrong Tv is the result of a collaboration with the international digital art platform The Wrong, leading to an entirely new programming grid. Curated by David Quiles Guilló, a unique television experience is proposed, which gives way to irreverent works of the most diverse contemporary digital artists. In June, 180, the wrong tv features the work of Jonathan McCabe, Fred Cosci, Andreja Andric, John Butler, Ian Keaveny, Mit Borras and Dagmar Schurrer.

CINECLUBE


Cineclube is a cinema session that takes place every Wednesday at 10pm on Canal180, presenting new and diverse films within the documentary and experimental cinema. This month, Cineclube will highlight the work of Carlos Casas, filmmaker and artist whose practice encompasses film, sound and the visual arts. Cineclube presents the feature films Cemetery and Hunters and Since the Beginning of Time along with eight of his shorts, including Faro, Tundra and Vucca.

NO CRYING AT

THE DINNER TABLE

Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

(IN)VISIBLE


(IN)VISIBLE is a series of interviews to artists that, as the title suggests, has the purpose of give a voice to those who are oppressed, not listened to or understood, giving them visibility and the possibilitity do talk openly about important issues, showing their complex realities. The series, directed by Maria Moreira, is the result of an internship at Canal180.

HIGHLIGHTING WORLDWIDE CONTENT

Background

MUSIC IS OUR RADAR

The only television channel in the world featuring music videos for an audience interested in new music.
Broadcasting a wide range of music sessions, from a bar in Alabama, We Have Signal to dj sets all over the world with Boiler Room. We’ve also partnered with Yours Truly and Red Bull Music Academy to feature films about the new music scenes.
Canal180 develops original content to provide insight on a new generation of music video directors, the DIRECTOR ID series. The series was developed as a partnership with Pitchfork, that also included the interview series, Entrevista.

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- Dave Ma

A PLATFORM FOR NEW ARTISTS

Canal180 spotlights the roots of contemporary creativity by highlighting the thoughts and ideas of artists worldwide. From a series produced by international publishing house Gestalten, to the architecture world of ArchDaily, digital interview magazine Avant/Garde Diaries, the community of visual storytellers of The Creator Class or profiling Chilean visual artists in Gabinete.
The daily broadcast of Canal180 originals 180 Meets and MAG offer a glimpse of the network of artists we build over the year.

- Kendrick Lamar

HOME OF SHORT FILMS

Nowadays the increasing conformity of mainstream films create a bland cinematic landscape. Short form was always seen as a source of a more experimental approach to filmmaking.
Over the years, Canal180 broadcasted the work of filmmakers, such as Mike Mills, Sean Dunne or Vincent Moon and highlighted young filmmakers, whose films featured in international film festivals, such as Venice, Berlin or Sundance.

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REALITY GIVES CINEMA POWER

Having this in mind, Canal180 always had a special place for the films that question societies pivotal topics. The body of work of director Andreas Johnsen, in films like Inside Outside or Good Copy Bad Copy, was an incredible starting point and offered a different point of view. Topics like the depiction of the life cycles of cities, in films like Atlanta From the Ashes or St. Louis Rises, or the micro societies within a city in The Tables and the discussion about The Future of Cities, offer a platform for alternative ideas about the urban landscape.
Delving into more actual topics like the refugee crisis in Welcome to Canada, Eyes of Exodus, making portraits of youth in Room For Change or Swindon, or taking the audience through the night of the US Presidential elections in Election Night, helps us create an identity based on an authentic point of view of young independent new voices.

Canal180 gives insight on social topics by amplifying creative independent new voices.

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